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29 September 2018 - 31 October 2018
12 Reviews See All
The problems I have with the production are primarily quibbles. The roving fibreglass bovines in the woodland scene have a surreal creepiness surely lacking any basis in the music.
How exuberantly Antonio Pappano and the orchestra match the flamboyance of the staging, with the hair-raising instrumental challenges triumphantly met
Over the four evenings of Wagner’s Ring, one world order comes to an end and another beckons. The complexity of that process demands a richly textured production, which it triumphantly receives in K
How do you begin to assess Covent Garden’s Siegfried? From a purely vocal point of view, this was a magnificent evening; it’s hard not to reach the conclusion that this was as fine a cast as you a
Musically this was a scorcher, Antonio Pappano repeating his success of 2012 and gaining conviction as the cycle progressed. Some may quibble with isolated aspects, but when Pappano elicits a top rate
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