Michael Fabiano is perhaps the most exciting tenor of his generation and a fearless stage animal.

Jones’s production is uncontroversial yet fresh and visually exciting. Unlike many updates, it never distracts.

This production is far more than the sum of it’s parts. I can only hope that these qualities are nurtured in the coming years and that future casts are given the rehearsal time to maintain it’s em

Cette représentation qui, sur le papier, ne payait pas nécessairement de mine, se révèle une bonne surprise, une partie de la salle optant d'ailleurs pour la standing ovation.

The high expectations riding on the Royal Opera’s new La Bohème are happily met in Richard Jones’s adept mingling of traditional and modern.