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10 Reviews See All
24 June 2019
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Kosky’s production, just like Brecht’s theatre, achieves in breaking the illusion of theatre and allows the audience to experience it as a heightened and, almost ritualistic, epic event.
Una producción de la ópera de Carmen extremadamente experimental que no deja indiferente.
Ultimately, this “Carmen” was enjoyable in many instances, especially from the musical perspective and if anything, it’s a different experience that could be useful on occasion to have us muse o
In the first of two casts, conducted by Julia Jones, the French mezzo-soprano Anaïk Morel is sultry and haughty in the title role, with Bryan Hymel her stolid but vocally heroic (after a faulty start
We are left with this Carmen’s duality as being both hyperactive, yet frequently, quite static. The deeply impressive chorus and six extremely talented principal dancers hardly stop moving for the f
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