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Ludovic Tézier fue todo un lujo en la parte de Carlo di Vargas. Voz plena, sonora y homogénea, en manos de un fraseo vigoroso y entregado.
Both Netrebko and Kaufmann brought some of their national cultures to their roles in this Italian opera. Netrebko created a Dostoyevskian Leonora, whose intense piety and craving for atonement were la
Capita molto di rado, ormai, uscire da teatro con la salda convinzione d’avere assistito a una serata storica: figuriamoci poi se la serata è dedicata a Verdi, e figuriamoci se l’opera è la Forz
The singing – with one exception – was stylistically some old-fashioned can belto not often to be heard at Covent Garden in recent decades. Sometimes it was all so loud that Antonio Pappano’s be
Meriting the same top billing as Kaufmann and Netrebko, the French baritone Ludovic Tézier brought extraordinary, sour magnificence to the role of Leonora’s vengeful brother.
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